I hope you like it! The whole painting gives the impression of looking through a keyhole not that I have any experience of this. Williams’ opinion of Rococo artwork, but I think that some of Rococo particularly this panting are very interesting. The Baron’s insistence on a bishop was probably a private joke, as he himself occupied an important position in the Church, as Receiver General of the French clergy. Mellon Lectures in the Fine Arts.
Commissioned by the notorious French libertine Baron de St. She is being pushed by an elderly man in the background who has no idea of the young man’s presence. For the dolphin not fish see this: Boucher specialized in the combination of the pastoral scene with a passionate sensibility. About This blog focuses on making Western art history accessible and interesting to all types of audiences: So why is the dog included in this scene?
It makes sense that a fish would be depicted here swibg a few reasons: As it was, Fragonard replaced the bishop with the more traditional figure of a cuckolded husband, but otherwise fullfilled the commission almost to the letter. While originally commissioned to paint mythological scenes, Fragonard had a knack for turning them into more of a boudoir scene in open air and this cheeky sensibility is reflected in The Swing.
They wanted works that reinforced their wealth and pleasure in all beauty and splendor, as artists recreated scenes of arcadia.
From a thematic perspective, the painting seems to be split between the dandified suitor and the older gent behind her.
Jean-Honore Fragonard Page Menu. Rococo was created by and for the rich of France. The genesis of this painting was to render a genteel peep esay — explicitly what the client requested; its exodus gives us an intimation of Bonnard.
Many not all of them are and this one certainly is. I would not be surprised to see this motif is quoted from an earlier Italian piece, as playful putti so often were in French 18thC art. Here’s a good pla… https: Fragonard was a product of the later stages esway the Rococo era, a time characterized by hedonistic freedom and a pursuit of all things aesthetically pleasing.
The dolphin imagery is very interesting to me in this context because it could allude to Venus and love. Saint-Julien specified the details of the painting and wanted his mistress to be depicted as the woman in the scene. The final important subject in the painting is much more difficult to attempt to analyze.
Yinka Shonibare, The Swing (After Fragonard) (article) | Khan Academy
The mood in the painting is lighthearted and gay. The Rococo era originated from the French decorative style Racaille meaning ‘decorative shell and rock work’. Just by looking at this painting, one can see how the opulence and decadence of the French aristocracy led to something as drastic as the French Revolution.
As she does so, she sends one of her shoes soaring towards a winged figure that could easily represent Cupid, the Roman god of desire and erotic love. Post-revolution, there was no room for the frivolity and shallow subject matter of what was depicted in The Swing.
That artists and eras are constantly measured against each other for being better or worse is something for critics to ponder. By the way, you should check out sing comments.
Williams’ opinion of Rococo artwork, but I think that some of Rococo particularly this panting are very interesting. I hope you like it!
Yinka Shonibare, The Swing (After Fragonard)
The dog is standing on its hind legs and appears to be yapping. Bob — thank you for your considered response.
Although for a time fragohard the Revolution Fragonard disappeared from the history of art, his wittily airy style cropped fgagonard again years later with a new legion of imitators and by the end of the 19th century there was a rediscovery of Fragonard swint other Rococo artists.
This is not to say that Fragonard knew of this particular work commissioned by Philip IV and executed by Rubens, who was working with many Northern European painters to create a larger series of works, during which many sketches were produced but visually it is an interesting similarity. It seems hard to prove what that little detail might actually depict.
Prentice Hall, The husband plays a lesser role, being immersed in shadow while the Baron is illuminated under the maiden’s dress. The inanimate objects add to the story as well. The Swing would have fitted in perfectly. Newer Post Older Post Home. These are all reminiscent of earlier works by Rubens. Thanks for the link to the Levey book.